Sunday, August 26, 2018

The new English HSC Course

I will continue with elements of literature a bit later (including words, sentences, paragraphs, figurative devices, punctuation, allusions, themes, titles, literary criticism, how to study and how to write) but, time being of the essence, I will now skip to the Year 11 HSC course, considering the Preliminary exam is coming up soon!

The Preliminary course looks like this:

Yr 11 Standard:
Reading to Write
Contemporary Possibilities
Close Study of Text

Yr 11 Advanced:
Reading to Write
Narratives that Shape our World
Critical Study of Text

You must start with Reading to Write, but can do the other modules in any order.

They lead to these components of the new Year 12 course.

Yr 12 Standard
Common Module: Texts and Human Experience
Mod A: Language, Identity and Culture
Mod B: Close Study of Literature
Mod C: The Craft of Writing

Yr 12 Advanced:
Common Module: Texts and Human Experience
Mod A: Textual Conversations
Mod B: Critical Study of Texts
Mod C: The Craft of Writing

The Craft of Writing can be taught as a separate module or embedded into the other three.

The new syllabus is designed to improve writing skills, and to eliminate the practice of students coming into exams with prepared essays they have memorised.

NESA have published sample HSC exam papers you can find here:

Standard Paper 1:
https://syllabus.nesa.nsw.edu.au/assets/english_standard/files/sample-questions-new-hsc-english-std-paper-1-exam-2019.pdf

Standard Paper 2:
https://syllabus.nesa.nsw.edu.au/assets/english_standard/files/sample-questions-new-hsc-english-std-paper-2-exam-2019.pdf

Advanced Paper 1: https://syllabus.nesa.nsw.edu.au/assets/english_advanced/files/sample-questions-new-hsc-english-adv-paper-1-exam-2019.pdf

Advanced Paper 2:  
https://syllabus.nesa.nsw.edu.au/assets/english_advanced/files/sample-questions-new-hsc-english-adv-paper-2-exam-2019.pdf

There are no sample Preliminary exam papers, although there are sample assessment tasks. There are no set texts for preliminary, however many schools have been using texts which were on the HSC course but are no longer prescribed texts. When using these texts they must be taught through the rubric of the new HSC course modules.

Next... Reading to Write



Wednesday, August 8, 2018

Core principles: Sounds

Now we're going to talk about the smallest components of written texts, which are words. And what are words made of? Sounds.

Sounds create and effect meaning. Think about how words must have evolved. Words sound like what they describe. We use the word 'lullaby' to describe a song sung to help a baby sleep. It is soft and lilting and flowing. We use the word 'stop' to arrest a person's action. The sounds are sharp and clean, and the final sound stops. Think of the sounds of swear words. They express anger and frustration and insults and are full of harsh sounds. The way words feel in your mouth provides a clue to how a person or a character is feeling. This is particularly true when you read works by Shakespeare. I'm sure you know the literary term onomatopoeia from primary school. It means the name for the sound describes the sound itself. The examples you would be familiar with are words like gurgling, pop, whoosh. I want you to start thinking of all words as possibly employing onomatopoeia.

Here is a key to help you. There are principles of sounds, and words you can use to describe sounds.  Those words extend beyond onomatopoeia, assonance, sibilance, alliteration, dissonance, cacophony, tone and euphony. The effects of sounds depend upon context, and other sounds in juxtaposition. Generally, long vowel sounds tend to sound more peaceful or solemn than short ones. Short vowel sounds tend to give an impression of quick movement, agitation or triviality.

Consonants

b, p, g, d, t, k - Plosives. Explosive sounds, suggest quickness, movement, triviality, scorn. Also called mutes - they hard stop the voice.

m, n, ng - Nasals. Provide various effects of humming, singing, music, contemplative, pleasurable, occasionally sinister

l - Liquid. Suggests liquids in motion, streams, water, rest, peace, luxury, voluptuousness, slipping, sliding

j, ch - Affricate (new IPA standards). Begins as a stop and releases as a fricative.

k, g, j, st, ts, tz, ch, dz, dg - Affricate (old IPA standards) .  Suggests harshness, violence, cruelty, movement, discomfort, noise, conflict, derision (ch - also endearment)

s, sh - Continuent. Sizzles in the mouth, hissing, also soft and smooth, soothing sounds

z - Continuent. Tends to appear in contexts of harshness

f, w, (v) - Fricative - Suggests wind, wings, a light and easy motion

t, d -  Interdental - tongue against the back of the teeth. Like k, and g, but less emphatic. Used to describe short actions

r - Liquid. Depends on other sounds near it but usually suggests movement and noise. (Some call m and n liquids too.)

th - Aspirate. Hard and soft, tends to be quiet and soothing

h - Unvoiced - just air

Vowels

i - Smallness

a, o - Largeness

e - Contemplative

u - Ugly


This is extending on the work of Boulton, The Anatomy of Poetry, p.58, and Mary Oliver’s A Poetry Handbook.

This key is incomplete - I would like to have it checked by a linguist - but it is enough to give you some words to use to explain sound effects in texts. To learn more see the International Phenetic Alphabet used by linguists, speech pathologists, singers, lexicographers, language teachers, and teachers of reading. It all becomes quite complicated.

Other effects of sounds are rhyme and rhythm. These are about the creation of patterns - the repetition of sounds and stresses. Even a near rhyme, a slant rhyme, can be used to add to meaning, either as wordplay or to suggest something else.

You can consider sound effects to be a category you can write about. Here is an extract from Gary Lutz'e essay, The Sentence is a Lonely Place. (I recommend you read the whole piece - available online)

This was my first real lesson about language - this inkling that a word is a solid, something firm and  palpable. It was news to me that a word is matter, that it exists in tactual materiality, that it has a cubic  bulk. Only on the page is it flat and undensified. In the mouth and in the mind it is three-dimensional, and there are parts that shoot out from it or sink into its syntactic surround.

See also Alexander Pope's poem Sound and Sense.

Sound and Sense
by Alexander Pope

    True ease in writing comes from art, not chance,
    As those move easiest who have learned to dance.
    'Tis not enough no harshness gives offense,
    The sound must seem an echo to the sense:
    Soft is the strain when Zephyr gently blows,
    And the smooth stream in smoother numbers flows;
    But when loud surges lash the sounding shore,
    The hoarse, rough verse should like the torrent roar;
    When Ajax strives some rock's vast weight to throw,
    The line too labors, and the words move slow;
    Not so, when swift Camilla scours the plain,
    Flies o'er the unbending corn, and skims along the main.
    Hear how Timotheus' varied lays surprise,
    And bid alternate passions fall and rise!

See also this letter about the appreciation of words, read by Benedict Cumberbatch, in Letters of Note. (2 mins)

See also: Autological words.

https://www.mentalfloss.com/article/52927/17-words-describe-themselves

http://www.segerman.org/autological.html

The idea is that the form supports the function. The closer to creating or recreating the experience for the reader the better!

Friday, August 3, 2018

Core principles: From orality to literacy

Let's start with the beginning of recorded time.

Imagine you live in an ancient oral culture. Try not to think about oral cultures as lacking literacy but as fully functioning rich cultures - they don't know they lack literacy.

Pick a place - it could be in a desert or in the snow, on an island or in the mountains, or where you live now.

You live in a tribe.

How does your tribe communicate important information? How is the knowledge of the tribe, knowledge about how to live, how to hunt for food, how and when to trade with other tribes, how to resolve problems, how to perform rituals to honour life events, how is the information communicated? How is it passed down from one generation to the next?

This knowledge may be embedded in memory devices which might be physical, like rock paintings, statues, totems, decorative art on masks or bowls, it could be told through dance and song, or might be related orally through stories.

What are some sayings or slogans or quotes that you remember? These are memorable by design, not by accident. What literary techniques have been used to make them memorable?

How would you make something you say memorable? In an oral culture this could mean the difference between life and death.

Perhaps through rhythm, repetition, rhyme, the structure of the sentence.

Any truth or law would be stated in a short sentence of simple words.

These are called an adage, proverb, saying, maxim, aphorism.

A proverb is a short pithy saying which embodies a general truth.

Some that come to mind:

- Red sky at night, sailor's delight. Red sky in morning, sailor's warning.
- Early to bed and early to rise, makes a man healthy, wealthy and wise.
- When the going gets tough, the tough gets going.
- Look before you leap.
- A stitch in time saves nine.
- A bird in the hand is worth two in the bush.
- Fail to plan, plan to fail.
- Forewarned is forearmed.
- What's good for the goose is good for the gander
- A light purse makes for a heavy heart.
- It takes two to tango.
- Thou shalt not kill.
- Coke is it!

You will notice the literary techniques used here: short sentences of monosyllabic words, alliteration, repetition, parallel constructions, use of opposites, rhythm and rhyme.

These oral memory devices became our literary devices.

When your English teacher says that a literary device is used to make something memorable, that is true. However, you can’t write essays about how each technique is just a memory device; it needs to be more sophisticated than that. Techniques are used for a variety of reasons: to guide the reader in a logical argument, to make readers feel as if they are present in the situation, to recreate an event, to emphasise, to be playful and create pleasure. You need to know the words for various techniques, understand their effects, and appreciate how the decision made by the writer creates a text in which each component part, each decision, contributes to the meaning of the whole text. All the decisions contribute to a text having textual integrity, a cohesion. This is what literary analysis is: explaining how and why a writer makes specific choices for a purpose. It also helps to know how these techniques have been used in early writing and where the words for the techniques came from (Hint: usually Greek).

Top Tip: Patterns are important. Look out for how many literary techniques are based on repetition - of sounds, rhythms, words, sentence structure and concepts. Look out for patterns in structure too.

But don’t worry. The good news is that you are already steeped in language and stories. Everything you already know about stories from films, comics, poems, novels, picture books, graphic novels, television, songs, videogames and advertisements will be helpful.

Watch this video about learning how to learn and note all the literary devices that are used to improve memory. https://www.youtube.com/watch?v=uT_GcOGEFsk

If you want to read further about this I can recommend two books.

Knowledge and Power in Prehistoric Societies: orality, memory and the transmission of culture - Lynne Kelly

Orality and Literacy: The Technologizing of the Word - Walter J. Ong

The other takeaway message about ancient memory devices is that you can make your own.

For you: make your own memory devices

Video - Unjaded Jade: The Revision Technique No One Tells You: How to EASILY Remember Anything!

See Google Images - Graphic Organisers

Memory Palace

Mnemonics

For Creative Plenaries see Phil Beadle's book Dancing About Architecture


Wednesday, August 1, 2018

Support for New HSC Syllabus

I am using this blog to provide resources to support my daughter and her school peers in the new HSC syllabus. I had previously used it for a Syntopical Bookgroup I ran, and you can find some older posts about reading and writing (from 2010!).

I will include the syllabus and sample outlines for the Preliminary course:

- Reading to Write
- Narratives that Shape our World
- Contemporary Possibilities
- Close Study of Texts
- Critical Study of Texts.

I will then provide resources for the Year 12 course.

I will include my own resources to support engagement with texts and understanding the core principles of studying literature. 


The core principles of studying literature, which I will cover in more depth, include the following:

- Sounds are important.
- Moving from oral memory devices to literacy gave us our literary devices. The aim is to be memorable.
- Literary devices are often based upon patterns - repetitions, parallel constructions.
- The use of comparisons - figurative devices, allusions etc (so we can imagine according to the familiar).
- We aim to make meaning from everything (we are storytelling animals) imagining that nature or the gods have an attitude to us (they don't).
- All good writing aims to be onomatopoeia or autological (to create what it is describing - to be the effect).
- It is important to increase your metalanguage and be able to categorise your metalanguage.

In subject English you can bring everything you know and are interested in: history, geography, politics, philosophy, psychology, sport, art, music, languages, science. In this subject teachers want you to personally engage, which means you can make your own arguments, so long as your presentation is logical and supported by evidence in the text.

If you study at a more advanced level you also need to know about literary movements, and how texts have been received over time (Reception Studies) and how they have been valued, or not valued and why.


I can provide some activities and recommended readings. I am writing a book as a resource for high school English (it is an ambitious project), and these blog posts are a simple version of some material I have been preparing for the book. (The book covers ancient literature, etymology and provides modern examples of literary devises using relevant messages for today.)

More to come!




Wednesday, August 17, 2011

Books that changed your life

http://www.miscmum.com/2011/08/17/10-life-changing-books-of-the-past-10-years/comment-page-1/#comment-12229

Not an original idea for a book group, but still, a good way to get to know people in the group.

And the books nominated here are, in my opinion, all worth reading.